Video reconstitution by P. Szpirglas of the original concert/performance:Trio in 14 variations, by Ludwig van Beethoven,
ordered by Andre Curmi on the 150 th. anniversary of Beethoven's death (1977) for the 'Centre culturel communal de Chatillon'.



Récitals de poésie, Concerts-Spectacles et soirées "Musique pour les Yeux"

"Music for the Eye" evenings, Concert shows
Projections for Poetry recitals, Dance and Mime shows

    1960

  • "Trois auteurs nouveaux" : Jean Pierre Faye, Fernando Arrabal, Jean Thibeaudeau ; projections for a show staged by Jacques Poliéri, Alliance Française theater, Paris

    1964

  • Variations I & II (Tout est né d'un seul signe), images (metaforms) and film by Etienne Bertrand Weill, music by Gilbert Amy, film 16 mm, produced by Service de la Recherche of French Television. Variations is screened at the Colloque sur le Signe in Royaumont Culturel Center.

  • Cologne French Institute, conference of E.B.Weill and sreening of Variation I & II and some metaforms.

  • Cité Universitaire Theater, Paris, Projections of moving metaform scenary for Marguerite Bougai Ballets.

  • Maison de l'Enfance, Malakoff, same program.

  • Gérard Philippe Theater Saint Denis : projections of moving scenary for ''Gamme de 7'', show staged by Jacques Polièri.

    1965

  • Théàtre du Vieux Colombier, Paris, Interludes for a poetic recital by Bernard Mermod first production of ''Le Bateau Ivre'', Arthur Rimbaud's poem.

  • Sarrebruck French Institute, lecture, projection of Variation I & II, le Bateau Ivre and other metaforms.Théàtre de la Cour Saint Pierre à Genève :same program as in Vieux Colombier Theater

  • Collège Culturel de Merzé , same program.

  • Festival de Vaison la Romaine, same program, '' Sol de Compiègne'', poem by Robert Desnos.

    1966

  • Fribourg en Brisgau University Grand Auditorium, La Ballade de l`Etranger, mimodram by Charles Bensoussan, moving metaform décor E.B.Weill,first production.

    1967

  • Alliance Française Theater: Interludes for a ''Récital Rimbaud Ganzo'' by Bernard Mermod and Christiane Jousik, of Aube and Ophélie, Arthur Rimbaud's and La Pieuvre, Robert Ganzo's poems first production.

  • ''Arts visuels du Mouvement'' , Vaison la Romaine : projection de Sol de Compiègne, Aube, Ophélie.

  • Dieppe Popular University: lecture and same program.

  • Musée de Louviers same program

  • Encounter with E.B.Weill, Toulouse Cultural Center ,same program

    1968

  • International Student, Paris, lecture, projection of the poetic works & Anaklasis, music of Penderecki, fisrt musical production by E.B.Weill.

    1969

  • Palais de l'Europe, Menton, week of daily projections of the poetic works, Anaklasis

  • La F?te des Belles Eaux', music of Olivier Messian & Adagio, music of Bela Bartok,first production

  • Toulouse Cultural Center, New encounter with E.B.Weill, lecture projection of the poetic and musical works.

  • Théàtre de l'Ouest Parisien, ''24 heures de l'Image''Anaklasis , Sol de Compiegne (enlarged version on three screens)Adagio.

  • Théàtre de la Musique ,Paris, projections by Jacques Noel & E.B.Weill for Bip dans la vie moderne et future, Marcel Marceau's mime first production given afterwards in New York, Nederland, Germany etcetera.….

    1970

  • Tenth Festival International de l'Image, Epinal : Grand prix Leitz France for Adagio

  • Maison de la Culture, Grenoble prelude in images, projections for Hymnen, music of Stockhausen, dance : Ballet Théàtre Contemporain, first production

  • Music and Images Festival, Aix en Provence : Adagio, Anaklasis.

    1971

  • Théàtre de la Ville, Paris, Hymnen, scenography created on a forty meters screen, the same show will be given in various Maison de la Culture in France and in Latin America.

  • Music International Weeks, Paris, Dorian Horizon, music of Toru Takemitsu, first production

  • Musée de la Ville de Paris, ''Music for the Eye'', first evening introduced by Maurice Fleuret, state secretary for music.

  • Centre Culturel de Chatillon sous Bagneux, same program

  • Jewish Clubs Center, Paris, same program.

    1972

  • Holstebro Museum, Danemark : two evenings ''Music for the Eye''

  • Graphexpo, Paris, Projections in a blown structure.

  • Journées du Graphisme, Dijon, projections of Adagio, Anaklasis, Sol de Compiègne

    1973

  • Festival de Collias : concert-show with Trio Deslogères, ''Vision des Temps Immémoriaux'', music by Antoine Tisné & ''Quatuor pour la Fin du Temps'', music by Olivier Messian, first creation.

  • Faculté d'Orsay : same concert-show

  • University Center for Jewish studies, Paris : ''Music for the Eye''.

    1974

  • Rencontres Internationales de la Photographie, Arles, concert-show with Trio Deslogères, Tarquinia', music by Charles Chaysnes, first production.

  • Festival d'Amboise, ''Rondo Mobile'', music Marcel Goldmann, choreography by Alain Davesne, first production, Choreformes, music Dave Brubeck, dance & moving metaforms.

  • Maison de la Culture de Colombes, concert-show by Trio Deslogeres, projection of the musical works.

  • Maison de la Culture de Reims : "Music for the Eye''.

  • Maison de la Culture de Marly : same program, Etude for Metaforms & electronic music, music by Marcel Dortort .

  • International Musicotherapy Congress : Adagio, Anaklasis.

    1975

  • Cultural Center, Le Vesinet : concert by Trio Deslogères, projection of musical works.

  • Cultural Center de Tarbes : same program.

  • Cultural Center, Le Vesinet : same program .

  • Conservatoire de Bobigny : same program.

  • Maison des Arts, Cergy Pontoise : ''Music for the Eye''. Animation and space changing through projections

  • Maison de la Culture de Bourges : Projections for a show about poet and writer ''Blaise Cendras''.

    1976

  • Musée d'Art Moderne, Paris : New ''Music for the Eye'' evening : Rhétos, music by Hubert Stuppner & Chtaslivi, music by Solange Ancona, dance Muriel Jaèr, moving scenary by E.B.Weill, first production.

  • Festival Populaire de Champagne, Troyes : concert by Trio Deslogères, projection of musical works.

    1977

  • Tel-Aviv Museum, Concert by Trio Deslogères,Jerusalem University, Beer-Sheba Academy of music, Beit Rotshild, Haiffa, Ein Hachofet kiboutz.

  • Cultural Center, Chatillon sous Bagneux : New ''Music for the Eye'', Trio en Quatorze Variations, music by Beethoven,concert-show ordered by Andre Curmi on the 150 th. anniversary of Beethoven's death (1977)

  • Musée Guimet, Paris, Chtaslivi & Dorian Horizon during a concert by A.C.I.C.

  • Centre Mandapa, Paris :''Dance, Resonnance…'' dance by Muriel Jaèr, visual moving set by E.B.Weill, four shows.

  • Festival du Théàtre Musical de Poitiers, dance & "Music for the Eye '' E.B. Weill & Muriel Jaer.

  • Third Bolzano Festival, Italy, same program.

  • Second ''Automne Musical de Come'' Italy, same program.

    1978

  • Maison de la Culture d'Amiens : Love the Sorcerer, music by Manuel de Falla, choréography by Raphaèl Agilar first production given afterwards in Germany, Nederland, Austria.

  • International Musical Weeks, Orléans : concert by Trio Deslogeres, "Music for the Eye" avec le Trio Deslogères et Muriel Jaèr.

    1979

  • Paris Opera Diachronies, by National Opera Ballet, music by Béla Bartok, chorégraphie de Janine Charrat, scènography and costumes d'Etienne Bertrand Weill, first production.

  • Centre Culturel ''Pierre Bayle'', Besancon, '' Music for the Eye''.

    1981

  • Centre Culturel du Soleil d'Or, Paris : Dance with metaforms, Muriel Jaèr, E.B. Weill Chant Silencieux dance wihout music, first production.

  • Semaines Musicales Internationales, Orléans, music , dance, projections : Muriel Jaer, Trio Deslogères, Etienne Bertrand Weill : Chant silencieux, Hymnen, Rhétos, Tarquinia, Chtaslivi.

    1982

  • Chicago, first production of Shadow of Mind mime by T. Daniel in the moving metaforms of E.B.Weill.

  • Théàtre des Champs Elysées, Paris Combat dans les Ténèbres (first production) et Bip in modern and future life, mime Marcel Marceau, moving metaform decor E.B.Weill.

  • Festival International de l'Avant-garde, FIAG, Paris, Anaklasis.

  • ''Heures musicales de Vernon'' , concert show Trio Deslogères, Tarquinia (2 nd mouvement) , first production.

    1983

  • Festival : ''Thirty years of French Expérimental Cinéma'', Centre Pompidou, Paris, Lyon, Lille, Montréal.

  • Projections at the Université of Québec, Montréal & at Winnipeg Theater

  • International Festival, Istanbul, Shadow of a Mind.

  • International Festival, Lubliana (Yougoslavy), same program.

    1984

  • Winnipeg Theater (Canada) Future Shokk , scènography & metaforms for a mimodrama by Guiseppe Condello.

    1985

  • Colloque International ''Corps, Espace, Temps'', Marly-le-Roi : Interférences, commun visual & musical research by Marie-Françoise Lacaze and E.B.Weill, music & moving metaforms, first production.

    1986

  • University Center for Jewish studies, Paris :New programme ``Music for the Eye`` au Centre Rachi, Paris.

    1988

  • Yair Center, Jérusalem, "Music for the Eye''.

  • 1990

  • Jaffa nights,"Music for the Eye" , 4 evenings.Jérusalem Theater, 22 mars : Création de Tsoar, Cinémathèque,: Anaklasis, Israel.

    1991

  • Salle Rekabord, Pau (France) juillet : Interférence, Penderecki, création de Zeloa.

    1992

  • Habama, Jerusalem : Anaklasis

  • Alliance Française à Jérusalem : Adagio, Anaklasisi, Trio en quatorze variations.

    1994

  • Auditorium du Musée d'Israèl, Jérusalem ;: lecture & "Music for the Eye''

    1998

  • Projection pour Prints : chorégraphie et danse Tamara Mielnick, musique de Steve Peskoff, (five shows, Gérard Behar Hall, Jérusalem)first production

  • "A l'écoute d'André Neher," visual accompaniement for interviews on Prophetism, Shoah, Jerusalem, Musée de Bouxviller.

    1999

  • Prints (six shows, Gérard Behar Hall, Jérusalem & two Suzanne Dellal Center, Tel Aviv)

    2000

  • Rashi Center, Paris, Prints (two shows).



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