March 11th 2017
On the mezzanine, open by invitation, a tribute is paid to the dancer Muriel Jaër through the eyes of three photographers who have followed her since the 1970s. While Max-Yves Brandily makes the dancer’s moving body a drawing in space, hands and bodies are imbued with an original light in the luminescent photographs of Étienne Bertrand Weill. It is a purifying dance that Bernard Boisson summons, through a body that has become a flame.